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Objective: In order to connect with contemporary artists, students are required to create a dynamic two page spread that includes artist research, The second page of the 2 page spread should include the student's reflection on the artist and their attempts to include the artist's style or technique into their own processes.
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One of Wiley’s renditions in Rumors of War, developed from “Equestrian Portrait of the Count-Duke of Olivares” by Diego Velázquez.
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Untitled (Topographic Landscape)," 1997
Particle board, 16 x 18 x 2 feet Installation at the South Eastern Center for Contemporary Art, Winston-Salem, North Carlina |
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Femme Volage, 1951
From the series "Painted wood and stainless steel" 72 x 17 1/2 x 13 in. (182.9 x 44.5 x 33 cm) Collection Solomon R. Guggenheim Museum, New York |
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Shirin Neshat
Birthmark, 1995 Gelatin Silver print with ink 55 x 38 inches |
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For the Love of God, 2007 Platinum, diamonds and human teeth 171 x 127 x 190 mm | 6.7 x 5 x 7.5 in |
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"Cri du Coeur," 2005
Handprinting on paper, dimensions variable. Installation view: Galerie Lelong, New York. Photo by Jason Mandella. "’Cri du Coeur’ was the first piece I did after my husband- Leon Golub- died. A cri du coeur is a cry of the heart, something of intense emotion, almost like praying or pleading with heaven." - Nancy Spero |
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THE INDIVIDUAL, 2012
1 wooden stepladder, and discarded wood |
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"Proposition Player," 2003
Installation view at the Contemporary Arts Museum Houston, Texas Photo by Hester + Hardaway, |
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Nick Cave (American, b. 1959). Soundsuit, 2008. Mixed media, 82 x 24 x 24 in. (208.3 x 61 x 61 cm). Brooklyn Museum, Mary Smith Dorward Fund, TL2009.6
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"CHRIS AFTER HOURS OF SPITTING FOOD DYE OUTDOORS," 2004
C-print, 41 1/2 x 62 1/2 inches framed Edition of 5 with 2 Artist Prints "If somebody actually just walks up to you and says, ‘Hey, do you want to do something out of the ordinary?’ there might be a little reluctance at first. But deep down, you want to do it. It’s adventure. That’s what brings people in front of the camera. I also feel that when you’re in your own environment that’s where you experiment, where you do all kinds of crazy stuff. So I thought, ‘Okay, let’s just see what happens if I allow that to unfold.’" - Oliver Herring |
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Finger Tablet
from "11 heavy things" series shown at Venice Bienniale |
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"The Artist is Present"
MOMA 2010 Artist performs everyday for 3 months |
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